Archive for January, 2005

YIPEE

Tuesday, January 25th, 2005

Just a quick note to say, woho! Lauch and Alexia are back from Thailand..

Sorry I sorta got lost in the moment.

Numerical Keypad Look out!

Tuesday, January 25th, 2005

No except Lauch knows about my trouble with the numerical keypad on my mac and exernal keyboards on my mac trouble. It has been really frustrating ever since Lauch left and I have had use of his nice shiny Apple Pro Keyboard that I couldn’t use the keypad. It would do all sort of weird things, but never type numbers.. which is the main reason for it. So today when I purchase a nice new and very shiny white Apple bluetooth keyboard, I was argasts that it also had the same problem. This meant it had to be software, but what part??? Every time in the past I have searched for this problem, I have found nothing to help me. So today I was determined to work it out.

The Problem

Apple numerical keypad don’t work properly.

Solution

Don’t be an idiot.. goto the the system preferences and then accessibility pane. Click on the mouse tab and then turn off “Mouse Keys”. Then get a stiff drink for putting up with the stupid setting for so long.

The only reason I worked it out is because I acidently leaned on the new keyboard and saw the cursor move.

New Book.. aka Presento

Sunday, January 23rd, 2005

Sooki-chan brought a new book to read. It is called “Stray Dog of Anime : The Films of Mamoru Oshii” and I have read two chapters so far and learnt heaps more about one of my faviourite directors of all time.

The summary on the back cover:

Upon its US release in the mid-1990s Ghost in the Shell, directed by Mamoru Oshii, quickly became one of the most popular Japanese animation films, or anime, in the country. Despite these accolades, Oshii is known as a contrarian within anime, a self-proclaimed “stray dog”, with a unique cinematic vision. Working in both live-action film and animation, directing everything from absurdist comedy to thrillers to meditations on the nature of reality, Oshii defies the confines of genre and form. Stray Dog of Anime is the first book to take an in-depth look at his major films, from the early days working on Urusei Yatsura to Avalon, his most recent feature. Ruh details Oshii’s evolution as a director, paying special attention to his personal style and symbolism, resulting in a unique guide that will appeal to anime fans and cineastes of all kinds.

I first fell in love with Oshii’s film making with the first Patlabor movie. As many friends know about me, I love complex film and storys. I love to think, and sometimes a film that makes me wonder afterwards, and question things. There have been a few films in my time that have done this to me, and Oshii always does it. I only wish I had the imagination and the artistic skill to do something remotely amazing like Oshii. Sarfice to say, I am going to learn lots about him from this book.